Silent Film Music and other Sounding Off

Talking about music, consciousness, silent film, Italian food, travel, good books, married life, kids, and more

Thursday, August 09, 2012

MIDI images, images into MIDI

Our son Nick noticed that the pattern of the MIDI graph I was editing looked like a picture. This morning he showed me his rendition in MIDI of the Batman symbol.
I told him I had done a project in 10th grade called Geometric Music, in which I drew various symbols—a square, a triangle, a parallelogram—and put them on a musical grid, exactly as a MIDI chart would have done, with pitch as the x-axis and time as the y-axis. I also charted an electrocardiogram. Years later I read that Eisenstein and Prokofiev worked on this idea also, crafting musical lines to the images in ALEXANDER NEVSKY. Peter Lehman in his book, DEFINING CINEMA, writes,

In looking at Nick's Batman logo, I wondered if anyone had created an app to convert images to MIDI, and lo and behold, he discovered photosounder.

http://photosounder.com/examples.php

Check it out, it's amazing.

There's also Nicolas Fournel's AudioPaint. And a reverse program that generates images from a MIDI guitar controller, also called Audiopaint. It would be great to take the Lumia Suite of Thomas Wilfred, a beautiful animated light piece that used to be on display in the theater lobby at MoMA, and hear what it sounds like. Although I used to enjoy just watching it in silence. Obviously the whole idea of looking at images and converting them to sound is part and parcel of my everyday work, but this is somewhat different.

After the Silence

Hi friends, It's been a long time since the last blog, due to some technical glitches. I'm back in action here, though I have posted various things on FB in the interim. It's been a busy year, with new scores coming out soon from Criterion (THE LAST PERFORMANCE, with Conrad Veidt, a powerful Paul Fejos film; from Milestone (CAPTAIN JANUARY, with Baby Peggy) and the forthcoming monumental Mack Sennett retrospective on TCM that will also be on DVD from Laughsmith. Every Thursday night in September starting at 8pm it will be nonstop Mack Sennett into the wee hours, and I will have a bunch of new scores and a few earlier ones there with these highly entertaining films, newly restored by Paul Gierucki and his crew. Visit our website at oldmoviemusic.com for details later this month. Have a great summer! D

Wednesday, October 12, 2011

ESTHER, a one-act opera for families

Hi, it's been a while, and I'll have more to say soon about the festivals I've been performing at: Denver, Pordenone, and the coming shows at MoMA, MOMI and the Houston Cinema Arts Festival, but right now I'd like to invite readers to click on this link to my current Kickstarter project and pledge any amount, large or small, towards the production and DVD of my opera ESTHER, which will return to the stage next year in conjunction with the 100th anniversary of the founding of Hadassah.

ESTHER Is a very kid-friendly opera, and tells in simple terms the well-known Bible story of a Jewish girl who risks her life to reveal her identity to the Persian king Ahashuerus to save her people. Watch a video introduction and hear excerpts here:

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Saturday, July 23, 2011

Happy 90th, Dad!



Gene Sosin, May 25, 1925


July 24, 2011. Hard to believe it's been 90 years since my dad was born. He has lived through the Roaring 20's, the Depression, World War II, the Howdy Doody show (my folks got me into the Peanut Gallery when I was 5), Tic-Tac-Dough (he won some good money, then was a casualty of the quiz-show scandals as his opponent was fed answers), the Beatles (Dad donned a great wig at one memorable party). Owned an Austin, a Dodge, a Chevy, a Rambler, a few Peugeots, Oldsmobiles, He grew a beard and ditched it. He got a toupee and ditched it. But he never ditched his youthful outlook on life. He looks nowhere near his age, and though he walks with a cane a lot these days, his mind is sharp and his wit quick. He takes pride in the captions he regularly submits to the New Yorker cartoon competitions, and is a whiz at the Sunday puzzle on NPR, writing song lyrics for family get-togethers, and telling great jokes. He played bridge and tennis for years, and has a phenomenal memory for music, poetry, details of conversations and memories of the many trips we took abroad.

He and Mom took us to Munich for a few years in the mid-60's with his longtime job at Radio Liberty, and thanks to him and Mom we learned some German, how to ski, traveled all over Europe, went to innumerable fantastic concerts, met Rostropovich, Marceau, Jessye Norman, Stokowski, and other notables.

But Dad himself is notable. Born in Brooklyn, he was the valedictorian of his Flushing High School class, a Latin scholar, Phi Beta Kappa at Columbia where he majored in French. During the war he joined the Navy, went to the Japanese Language School in Boulder and worked in D.C. decoding secret messages. After the war he went back to Columbia and got a Masters in Russian, meeting my mom in a Dosteovsky class, as they have often recounted. After a short stint at the Voice of America, he joined the fledgling station Radio Liberation in 1952. It went on the air on March 5, 1953, coincidentally the day that both Stalin and Prokofiev died. In 1959 he resigned so he could go to Russia to do research for his dissertation on Soviet children's theater. Of course he got his job back; it was a precautionary measure, as he had been attacked personally in both Pravda and Izvestia!

Dad was one of the main figures at Radio Liberty for 30 years, first in programming and then Director of Broadcast Planning. Under his leadership the station broadcast in sixteen languages to the people of the Soviet Union. His book, Sparks of Liberty, is a remarkable account of his time at the station, which spanned the entire duration of the Cold War, and includes photos of the many personalities that broadcast on RL over the years, from Eleanor Roosevelt to Louis Armstrong.

He has contributed many book reviews and articles to such publications as the New Leader, the NY TImes, and the Saturday Review. But I think his most important contribution during his long lifetime has been the work he and Mom have done in helping emigrés, many of them Soviet Jews, many of whom became dear friends. Mom and Dad interviewed displaced persons for the Army during their first stay in Munich from 1950-1951, just after they got married and just before I was born. They were on the board of NYANA, the New York Association of New Americans, and have always been extremely generous and gracious hosts to dozens, if not hundreds, of immigrants and exiles.

No dinner at their house, either in Rye, Munich or White Plains, has ever been bereft of talk of people they have just met, or have corresponded with, or heard at a lecture (they are both intrepid lecture and concert attendees, sometimes three a day, in addition to having lectured in many different arenas themselves). I can't count the number of times my sister and I sat (and sometimes fidgeted) at the dining room table while my folks conversed in animated Russian (or German, or French) with the latest arrival, or a colleague from a university language department.

As a son, I have wonderful memories of our family trips to Florida, Williamsburg, and over to England, Holland, Germany, France, Italy, Switzerland, Austira, Israel, and Greece. I remember well our childhood games, from baseball in the back yard, to sledding down Hill Street in Rye and being pulled back up to our house at the top of the hill, which at one point gave Dad a nice case of bursitis. He commuted into NYC for many years and I would wait for him on a stone ledge outside our house, running to meet him when he walked up the hill. He told great bedtime stories, which I absorbed and then carried on the tradition with our son Nick, and am starting to do with our baby Mollie. Dad and Mom love being grandparents to both of them, and we have been fortunate to have them near enough to visit often these past two decades, sleeping over, hanging out, being fed delicious meals, and watching the latest clips that Dad has taped from his TV interview show, or an installment of Jeopardy, or a classic mystery.
Dad is always ready with clippings from the print media: the Times, the New Leader, and his comments are always insightful and informed.

My folks have been members of Community Synagogue in Rye NY since its founding in 1950 by my grandparents among others, and have been active in all phases of its religious and social life. Dad did not have a religious upbringing but was Bar Mitzvah at the age of 83, and studied Hebrew in adult ed classes.

His 90th birthday is in no way a culmination of his long, productive life, it's an important milestone but only a momentary pause in what seems could continue to be a joyous and fruitful life for many years to come, even, as we always say in our family, biz hunderd zwanzig yor!


Here he is at home a month ago, telling some of his favorite Soviet jokes at my request. Happy Birthday, Dad, I love you always.

http://www.youtube.com/watch?v=iLLWxKXHPHc

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Monday, February 21, 2011

Now or Never premieres in San Francisco

After three days of rehearsals by the members of the San Francisco Chamber Orchestra, NOW OR NEVER received its first performance Friday night at the Herbst Theater in San Fran. Conductor Ben Simon led eight excellent wind and brass players for the 40-minute silent comedy with Harold Lloyd, and I got to sit back for a change and enjoy the film with the several hundred concertgoers who came out on a miserable night to hear sublime music by Stravinsky, a lovely, delicate, new piece by Berkeley composer Cindy Cox, and then my octet. It went marvelously, and I heard that the next two performances were even better, in Palo Alto and Berkeley. Tonight they finish the series in Vallejo. I hope to have a recording to post soon.

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Sunday, February 13, 2011

FANTOMAS at Yale

Friday night I loaded the Outback with two each of Rolands, keyboard stands, music stands, lights, cables, one new lovely Groove Tube stereo amp, and drove to Yale for a marathon screening of Feuillade's 1913 serial FANTOMAS. Nicole Thomas, who is my new colleague and neighbor in NW CT, packed her lovely French accordion, drove down with her partner Malcolm and met me there. And together we improvised for something like 6 hours of intrigue, murder, robbery, and other dirty doings. An audience of film scholars and local folks filled the Whitney Humanities Building for the first few hours, and by midnight the crowd had thinned, but everyone enjoyed the event, which included a superb dinner, and many donned masks or beards and mustaches supplied by Prof. Dudley Andrew, who headed the weekend-long seminar. Tom Gunning spoke with illustrated slides about Fantomas at the beginning of the afternoon.

Here's an excerpt from the screening: video

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Monday, January 31, 2011

UPSTREAM at MoMI

Performed an updated version of my UPSTREAM score at the Museum of the Moving Image last night. Joanna wrote fun lyrics for the title song, and I had about 10 other themes for characters that wove in and out, played by violinist Susan Heerema, clarinetist/cellist David Tasgal, and drummer Ken Lauber. Joanna also sang a few other songs as part of the score, including "Give My Regards to Broadway" and "Oh, You Beautiful Doll," and we all chimed in on "Auld Lang Syne" when the title card for the song came up. John Ford's direction is lively, the characters are varied and delightful, and the audience laughed a lot.

Now or Never, an octet for a Harold Lloyd film

FInished scoring the Harold Lloyd comedy NOW OR NEVER for wind/brass octet. Performances in the Bay area Feb. 18-21, tell your friends! Free! San Francisco Chamber Orchestra members. Score will be available for purchase after the kinks get worked out, and playable by advanced high school musicians and up, a mixture of 20's jazz and classical styles. I will post excerpts in days to come.

Sunday, December 12, 2010

The Day Before Christmas (Sosin and Seaton)

Happy Holidays, everyone! In 1995 Duain Wolfe, conductor of the Chicago Symphony Chorus and the Colorado Symphony Chorus, commissioned an a cappella holiday piece from us that he has repeated in two subsequent editions of the CSO "Welcome Yule" concerts, including last year's "Best of" program. Here is a recording of the piece made this month by the Philharmonic Chorus of Madison WI under Patrick Gorman. Other performances are starting to take place around the country. Enjoy!

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